98 entries categorized "Current Affairs"

Andy Gross

I haven't used this blog is quite some time however the events of the last few days have prompted me to speak out.

You may have read about the magician/comedian Andy Gross who allegedly sexually assaulted a female audience member on stage causing hundreds of Purdue University students to walk out of the show crying, and needing counselling. 

To be honest, there is some degree of sensational reporting going on here.

There was no sexual assault, though a case could be made for sexual harassment. The reality is that the performer was completely oblivious to the obvious discomfort and embarrassment his volunteer was experiencing. 

You can see a video of the show here:

Daily Mail Story

Yes, he chose his material very poorly, especially as he was following a student who spoke about her experience of being sexually assaulted.

The University said they were shocked by the type of material he performed... yet the exact routine word for word, is on his promotional video they would/should have viewed before booking him.

I'm not excusing him, he completely misjudged his audience and, as you can see by the video, should have realised the act was going badly and changed tack. He didn't.

But there is more to this story.

The routine he was performing, in 2018, is an EXACT word for word copy of one David Copperfield performed in his 1990 TV special 'The Niagara Falls Challenge'.



Bear in mind, 1990 was a different time... Bill Cosby was still a beloved comedian... that was 28 years ago and Copperfield has long since moved on to different styles of presentation... but Andy Gross hasn't.

(Copperfield updated the trick for his 2001 TV special, but the use of the volunteer and the "cheek to cheek" gag had already begun to feel awkward and inappropriate.. 17 years ago)



Instead of creating his own original material, Andy has slavishly copied other people's material without permission and without understanding WHY they work, As a result, when a presentation moves beyond its use-by date, as one such as this has in the #metoo era, Andy simply keeps doing it and is now finally paying the price.

This is not the only Copperfield routine Andy has stolen without permission. He also bills himself (and has even trademarked the name) as 'Split Man' and performs the 'Laser Cutting' illusion purchased by Copperfield from creator Steve Fearson and performed in his 2001 TV special 'Tornado of Fire'.




So what is the upshot of all this? Are we simply to dismiss it as a jerk copycat magician finally getting what's coming to him? The moral being that we should not copy other people's material?

Well.. that is important but no.. the real lesson here is that times have changed and sadly magicians, as usual, are not keeping up. Volunteers are still being treated as props, assistants are being cast as sex objects, jokes that comedians ditched long ago as being inappropriate are still being trotted out by "comedy magicians".

Reassess your act.

See if you can find a woman, preferably a theatre director, and ask her to debug your act and remove questionable content.

Why run the risk of alienating 50% of your audience by making them feel uncomfortable when everybody should be having a great time.

And if you really want to know what changes you can make then tune in to the Shezam Podcast and listen to the thoughts of female magicians who are a lot more attuned than Andy Gross and his cohorts.


Repost of 'RePop' from 2002


Magic and the internet certainly make strange bedfellows. Magic is known by it's desire to keep secrets, whereas the 'net is all about spreading information at lightning speed.


It only took 12 hours from the time David Blaine performed the "Beer Can Trick" on his 'Vertigo' TV Special for the secret of the trick to become available on the internet auction site eBay. The advertising read: "David Blaine - "Resealed" beer can effect from "Vertigo". Yes! As seen on TV this week."


As I have a vested interest in protecting the secret of this trick, I took a personal interest in this matter. The history of this effect is that Anders Moden first published it on the Electronic Grymoire on February 13, 1997. Few magicians were interested in his idea back then, I was one of the few who actually took the idea and modified and developed it further to suit my style. I even paid Anders for the right to include my version ('Soda Resurrection') of his trick ('Healed and Sealed') in the Ellis & Webster lecture notes '24 Years of Living Next Door to Ellis'. David Blaine also paid Anders for the exclusive rights to perform the trick on TV until the year 2005.


I contacted the man who was offering the secret of the trick for sale on eBay. His name is Stephen Pellegrino of St. Louis Magic, and this is what he had to say about the effect: "My principle is based on another effect that has nothing to do with a beer or soda can, that I adapted and is over 50 years old. I literally worked this out this morning." It sounds like he watched Blaine perform, figured out how the trick was done, then released it for sale as his own creation. A colleague of mine actually bought Mr Pellegrino's manuscript and strangely enough the method used was exactly the same as Anders' original trick. The only difference is that in Anders' version, the can is also crushed, and then uncrushes itself. This is what Blaine performed, but Mr Pellegrino may not have noticed and so he didn't include that part of the trick in his manuscript, so his customers would be within their rights to accuse him of false or misleading advertising.


Mr Pellegrino argued that the method was "over 50 years old" and to prove his point credits several people in the manuscript he offers for sale. Richard Stevenson is credited for a trick where a soda can's pull tab is removed and restored… though it has nothing to do with resealing a can. David Harkey is credited for an effect where you appear to be eating from a can. Paul Harris and Bill Herz are credited for a re-working of the climax to a John Kennedy effect. This is close to Anders' effect however, when Anders contacted Kennedy, John said "Your effect sounds different from mine. Nice idea!" All of these credits, and the omission of Anders' name, suggest that Pellegrino was trying to justify that the effect was "old" and therefore okay for him to sell.


A few days later the effect appeared on one of Steve Fearson's many web-sites, all re-packaged with slick new graphics, and re-named 'Re-Pop'. Mr Fearson wasn't selling it, but offering it free to anyone who bought one of his other products. Fearson denied he was cashing in on Blaine's success, saying: "I do not claim to be selling the same method that was used on the David Blaine special, Vertigo. My ad clearly states, "Recreate the magic you saw on TV". From that, someone decided to describe my ad as saying, "Get the same trick David Blaine did on 'Vertigo' for free".


A week later, out came a booklet called 'Three Secrets Revealed' with ads touting: "Did you see the David Blaine specials? Here is a new booklet with three great tricks. Just like David Blaine did on TV." This was featured on the websites of many major magic dealers and was again seeking to cash in on Blaine's success. This also featured "The UnCanny. Another oldie, but not quite as ancient. An empty beer or soda can refills itself." This booklet was written by a street performer named Stefan Keppner. Some of these dealers, when contacted, agreed to withdraw the book from sale.


So why is it, that in a business where we "protect our secrets", do so many of us rush out to tell our colleagues how the latest tricks are done… especially if there's a buck or two in it as well? It doesn't even matter whether we have any legal or ethical right to the secret or not. Mr Fearson said, on the public Genii Forum on the internet: "I don't belong to any of your organizations and I haven't infringed upon any copyrights. I am doing perfectly legal and in my opinion, quite ethical business." Mr Pellegrino used Copyright Law to point out that the actual text of an idea is protected by the law, but the idea itself is not. So, he is quite within his legal rights to rewrite the instructions of any trick in his own words, and sell it as his. There is not a darn thing the inventor of the trick can do about it. As Fearson said, on the public Genii Forum: "So kick me out of your clubs and blow me out your magic circles. I'll keep working."


So how do inventors of magic protect themselves? On the website www.magicinventors.com Chuck Leach has a section headed 'Legal Dept.' which explains: "The purpose of the Legal & Ethics Fund will be to generate issues, information and resources to try and improve the protection of magic intellectual property." Great. However, Chuck also runs the website 'Secrets Revealed' which advertises "Did you ever wonder how David Copperfield made the Statue of Liberty disappear? Or about his other amazing illusions? A magician won't tell you these secrets. But we will! These are the secrets you really wanted to know. The ones even the Masked Magician was afraid to reveal! The magicians are steaming mad about this site. But we don't care! If you want to know the secrets, we're going to tell you… everything!"


I asked Chuck Leach: "What rights do you have to give away the secret of Copperfield's Statue of Liberty vanish, and how do you think doing so will enhance magic?" Chuck's reply was: "Are you implying that I have no right to explain how that illusion is done? There is no patent on that illusion sir, and it is not illegal to explain the method to it. And as for how it enhances magic? The method to that illusion is one of the few secrets in magic that is actually exciting to learn. It is truly ingenious and learning it inspires a fledgling magician to learn even more about the art."


I also asked him: "Are the tricks simply "revealed'/explained, or do the visitors to your site have to buy the props/secrets (like the 'Twisting Arm Illusion' or the 'Balducci Levitation')" Chuck said: "I don't know what props you are referring to when you talk about those two illusions as there are none involved. The methods are revealed and explained, if it makes you happy we can call it teaching. And yes, they have to buy the secrets. As a matter of fact, you could hardly call my sites exposure sites since there is absolutely nothing exposed until you do pay. So I guess that answers your question, yes they have to pay before learning. My sites are a part of the Magic Secrets Network, run by Magicheck.com which is a site that supplies magic webmasters with the ability to create a gateway page that customers can't pass through without a password. A password costs them $29.95 for a one year period. But you must already know this if you visited my site, so why are you asking?"


(I wonder how Mr Leach would feel if another website were to "reveal" the secret passwords to his site for free?)


Yes, if you pay $29.95 Mr Leach will tell you how Blaine, Copperfield etc do their tricks. Who runs Magicheck? Steve Fearson. However, Steve won't let just anyone in. You must first read and agree to The Magician's Oath before he'll accept your $29.95.


His site explains: "The magician's code is a statement of ethical guidelines designed to help keep the art of magic alive and healthy. We require that you agree to our stated code of ethics before subscribing. Although the traditional magician's code is not enforcable by legal means, some of the issues regarding copyright infringement and the internet are, and we reserve the right to cancel your membership if it is found that you have purposefully violated any part of the code."


The code you need to agree to is "based on" one established by the IBM in 1993 and before they'll tell you how the "big boys" tricks are done you are required to agree that: "I understand that The Magic Secrets Network uses the terms "Exposure" and "Secrets Revealed" as tools to draw as many people as possible to the art through web searches and advertisements, introducing them to magic, and concepts like the magician's code of ethics as well. But Magicheck does not condone exposure for exposure's sake. The Magic Secrets Network is a learning facility. During a performance, the use of such terms should generally be avoided." Another clause talks about the need for respect within the magic community: " I agree that the originator or inventor of a trick should be credited when possible. If there is a performer who has become associated with the effect through outstanding performances, they may be credited as well. This should be done out of respect but also to encourage future inventors by letting them know that we respect their work and the community will not forget their contributions."

Steve Fearson, on the public Genii Forum, also had a word for magic inventors: "It doesn't matter what you invent, if you don't do anything with it you're not going to be recognized for it. Generally, the guy who does the footwork will get the credit. That holds true for marketing as well as performing. And you'll be lucky indeed if you find a guy like Mike Ammar or myself, who is willing to give credit once you've let it slip away."

Anders Moden should be so lucky.


Steve Fearson has the final word: "The fact is that unless you work harder than me, the future of magic and the net is in my hands."



The original 'Healed and Sealed' by Anders Moden can be purchased at: http://home5.swipnet.se/~w-52256/healedandsealed.html

Tim Ellis's 'Soda Resurrection' can be found in the book TIMELESS MAGIC and purchased here http://www.timellismagic.com/magicians/magic-shop/ 

Carbon Tax

Julia Gillard is adamant that we should pay a Carbon Tax.

Why is this so important to her? Why is it worth such a massive loss in personal popularity? Why is her party still supporting it?

Nothing to do with saving the planet... it's simple economics.

As the economy continues to slide, the average punter is earning less and, subsequently paying less tax.

With less tax, the government has less money to run the country, so they've found something they can tax everyone on.

The GST isn't generating enough income because to pay the GST you have to buy something, to buy something you have to have income in the first place.

But everyone generates a "carbon footprint", so none of us have any way out of paying a carbon tax.

Oh wait a minute... the big companies who actually generate the largest carbon footprints do... they've already announced they'll simply raise the prices of their goods and services and pass their carbon tax (plus a little extra, no doubt) on to us so we can pay for them as well.

Some people might suggest the government could avoid having to introduce new taxes simply by spending less of frivolous projects like: The National Broadband Network, Myki, Desalinisation Plants, Solar Schemes, Insulation Schemes, Digital Set Top Schemes, and countless other financially unfeasible efforts of recent times.

Why doesn't the government simply stop work on these projects or break the contracts if they are losing so much money? Because some people are making a lot of money from each and every one of these government approved schemes.

The Vanishing Magic Shop

The current argument that online shopping is going to kill the “brick and mortar” stores may seem like news to most, but to those of us in the speciality retail area, we travelled that path many years ago and the damage has already been done.

Many years ago I used to own a popular Magic Shop in the CBD and, even in the 1990s, my customers had started to discover that it was often cheaper to order their goods by mail from the USA.

When I would order a shipment of books and magical apparatus I would not only be hit with a barrage of taxes and import duties, but I’d also need to ship it in the most inexpensive (slowest) way possible. Once it arrived my shipments would sometimes get held up in Customs for inspection and I’d need to drive to Tullamarine to collect them and sometimes pay additional charges. Finally, I’d have to add a mark up on top of what I’d paid for the goods to cover the costs of high retail rental, electricity, wages, shop upkeep etc.

On the other hand my customers could write, phone or fax the retailer in the USA and once their cheque cleared their order, being small and inexpensive, would be shipped inexpensively by air and bypass customs and the associated duties and import taxes.

Now, with the advent of the internet, customers are able to order directly online by credit card and have their order arrive at their doorstep within two days.

One or two Australian magicians have embraced this technology and set themselves up as local online stores. They have no physical shop, no stock, no expenses whatsoever. They simply publish a full and extensive catalogue online and, when the customer places an order, they order the items from the wholesaler who ships them out to them within a few days. The store then sends them on to the customer after adding only 10% to the wholesale price as their mark-up.

Any retailer knows that this sort of business model is impossible to compete with, no matter how good your customer service is.

In fact, I discovered very quickly that people would come to my store to see the tricks demonstrated, to get the tips and professional advice, and then they would order them online.

A few times they would bring in faulty items they’d received and try to exchange them claiming to have bought them from me!

There were, only a few years ago, five physical magic shops in Melbourne. Now there are only two, and one of those will be gone within a year.

Interestingly enough, the Australian online magic shops which hastened the demise of their brick and mortar counterparts, are now crumbling under a new challenge. The wholesalers themselves are setting up online retail outlets. Some are simply eBay stores offering magic and books for the same wholesale prices they sell to retailers, and sometimes even less!

Why are they doing that? Partly because, as the brick and mortar stores die off they are making smaller and smaller orders, but also to counter a glut of “knock off” items being sold online through eBay at even lower prices.

As soon as a new magic item is manufactured and marketed, factories in China (often the same ones that are manufacturing the original item) start churning out unauthorised copies and selling them at even lower prices direct on eBay.

The impact that all of these factors have had on the single speciality market of magical equipment has been devastating to the traditional brick and mortar outlet.

Now we are starting to see the same thing happening in the general retail sector and, understandably, the business owners are panicking.

Is there a solution?

They can drop their prices but they can never compete with a business that has such lower operating expenses.

They could offer better customer service to attract the customers, but that still won’t guarantee the customer will purchase from them instead of online.

Music stores have been replaced by the instant delivery system and unlimited online catalogue of iTunes.

DVD rental stores have been replaced by instant download services like Netflix.

And both of those outlets are gradually being replaced by illegal downloads and file “sharing”.

As for the Magic Shop, and the delight of walking into a virtual Aladdin’s Cave of wonders and mysteries, that’s disappearing too.

It’s going to take more than magic to conjure up a solution to this problem.


Comedy night in Melbourne - FREE TICKETS!!!

The hugely successful LIGHTFM COMEDY FUNRAISER is on again, and we have two double passes to give away!

This is a great night of comedy suitable for the entire family. I'll be doing strolling magic pre-show this year before handing things over to a great line up of comedians and LightFM personalities.

Light FM's 2010 Comedy FUN-Raiser will be held on Friday 11th June.

Where: Melbourne City Conference Centre, 333 Swanston Street, Melbourne (Opp State Library)

When: Friday 11th June, 7.30pm-9.30pm (doors open 7pm)

Featuring: Cameron Semmens, Lach Ryan, Luke Holt and Michael Connell. MC-ed by Ben Price. Guest appearance by the illusionist Tim Ellis.

Tickets: $30 for general admission (not allocated seating). Children 12 years and under free. No concessions.

Parking suggestions: Melbourne Central, QV building

You can read more about it, and order tickets, here.

If you'd like a FREE DOUBLE PASS - Email me at [email protected] and the first two requests I get, win the tickets!